Lorene Cary’s non-ficiton includes magazine articles and blogs, as well as her best-selling memoir, Black Ice, and a collection of stories for young readers, Free! Great Escapes from Slavery on the Underground Railroad. Her novels include The Price of a Child, chosen as the first One Book One Philadelphia offering; Pride; and If Sons, Then Heirs. Cary has written scripts for videos at The President’s House exhibit on Independence Mall in Philadelphia. Cary’s newest memoir is Ladysitting: My Year with Nana at the End of Her Century. In her second year of a residency in American Lyric Theater’s Composer & Librettist Development Program, she has written a libretto that takes off from Ladysitting. Composter Lilya Ugay set the book to “The Gospel According to Nana” and has produced a recording. Cary’s play, “My General Tubman,” will premiere at The Arden Theater in Philadelphia on January 16, 2020. For 20 years, Cary has taught fiction and non-fiction at UPenn; now her students publish on SafeKidsStories.com, which she created to focus on children’s wholeness.
Bearing Witness to Generations: Two Memoirs of Home and Family
Set in a shotgun house in New Orleans East, Sarah Broom's memoir, The Yellow House, is about the pull of home and family. In her book, Ladysitting, Lorene Cary journeys through stories of her time with her grandmother and five generations of their African American family. Join these two authors as they talk about bearing witness to generations.
Fran Jeffries is a writer and editor for The Atlanta Journal-Constitution.
Ladysitting: My Year with Nana at the End of Her Century
From cherished memories of weekends she spent as a child with her indulgent Nana to the reality of the year she spent “ladysitting” her now frail grandmother, Lorene Cary journeys through stories of their time together and five generations of their African American family. Brilliantly weaving a narrative of her complicated yet transformative relationship with Nana―a fierce, stubborn, and independent woman, who managed a business until she was 100―Cary looks at Nana’s impulse to control people and fate, from the early death of her mother and oppression in the Jim Crow South to living on her own in her New Jersey home. Cary knew there might be some reckonings to come. Nana was a force: Her obstinacy could come out in unanticipated ways―secretly getting a driver’s license to show up her husband, carrying on a longtime feud with Cary’s father. But Nana could also be devoted: to Nana’s father, to black causes, and―Cary had thought―to her grandchildren and great-grandchildren. Facing the inevitable end raises tensions, with Cary drawing on her spirituality and Nana consoling herself with late-night sweets and the loyalty of caregivers. When Nana doubts Cary’s dedication, Cary must go deeper into understanding this complicated woman. In Ladysitting, Cary captures the ruptures, love, and, perhaps, forgiveness that can occur in a family as she bears witness to her grandmother’s 101 vibrant years of life.